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The annual VLC Forum is anchored by the Community Dinner, which brings together program participants, the VLC and New School communities, and the public for a free dinner and celebration for all. This year’s event shines a light on how communities record, share, and safeguard their histories through food, music, ritual, and storytelling—acts of continuity, resistance, and joy. During political turmoil, oral traditions are especially powerful, serving not only as a means of preserving traditions and cultural memory, but also as a way to make sense of unfolding events and how they are understood by future generations.
On Friday, October 25, at 8 PM EDT, join us for an evening of food, music, and storytelling, celebrating and uplifting our community. The 2024 Community Dinner is catered by Palestinian bistro Ayat and features music by soundmaker and composer Luke Stewart, along with a special performance by Selfless Abandon, a collaboration between Stewart and visual artist Miriam Parker.
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Open to the public and The New School faculty, staff, and students.Â
This event is part of the Vera List Center Forum 2024: Correct History*, please click here for more information.
Presented by Vera List Center for Art and Politics at Schools of Public Engagement.
Wheelchair or mobility device seating is available. Please let us know if you need any accommodation when registering or by emailing vlc@newschool.edu
Wolman Hall is on the 5th floor at 65 West 11th Street and accessible by elevator. ADA accessible, all gender restrooms are located on the 3rd floor. The building has a ramp to a door next to the main entrance, which requires signaling the guard or usher inside the glass wall.
The nearest accessible subway stations are the 14 St-Union Sq L, N, Q, R, W and the 14 St/6 Av F, M, uptown only; and the 6th Ave L is fully accessible.
The Vera List Center tries to share its programs as widely as possible, which means recording our programming and making it available on the Vera List Center and The New School websites. By attending the event, you consent to photography, audio recording, video recording and its/their release, publication, or exhibition. You can view past Vera List Center events at veralistcenter.org/events/past.
Committed to amplifying diverse voices, The New School offers more than a thousand public programs and events each year, providing fresh perspectives and unique learning opportunities. These lectures, exhibitions, concerts, and performances feature prominent and emerging artists, activists, and thought leaders.
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To receive updates about public programs and events at The New School, subscribe to our mailing list. Visit our Livestream and YouTube channels to watch select events live and recorded.
Shani Peters (b. 1981 Lansing, MI) is a multi-disciplinary artist based in New Orleans, LA. She holds a B.A. from Michigan State University and an M.F.A. from the City College of New York. Peters has presented work in the U.S. and abroad at the New Museum, the Schomburg Center for Research in Black Culture in Harlem; Seoul Art Space Geumcheon in South Korea; the National Gallery of Zimbabwe; and the Bauhaus Dessau. Selected residencies include those hosted by the Mississippi Museum of Art, Lower Manhattan Cultural Council, Museum of Contemporary Art Detroit, The Laundromat Project (NY), and Project Row Houses (TX). Her work has been supported by the Andrew W. Mellon Foundation, Creative Capital, the Rauschenberg Foundation, Rema Hort Mann Foundation, and the Joan Mitchell Foundation. Peters is a former faculty member of The City College of New York, Pratt Institute, and Parsons School of Design. She is a Co-Director of The Black School, an artist initiated experimental art school that is presently working to build a physical home for it’s art education and community programing in New Orleans 7th Ward.
Jane Hait is the founder of the Center for Art, Research and Alliances (CARA), a nonprofit arts organization, research center and publisher in New York City founded to expand public discourses and historical records to reflect art’s abundant pasts, presents and futures.
From 2003 to 2015, Hait co-owned Wallspace, a contemporary art gallery in Chelsea. When Wallspace closed in 2015, Hait began to investigate how a nonprofit platform might support and
amplify the diverse, varied and vibrant voices so critical to the wellbeing of the cultural ecosystem in New York and beyond. Since 2016, Hait has worked in dialogue with with artists, curators, writers, researchers, publishers, facilitators, scholars and cultural workers to imagine an arts organization that would champion the polyvocality of arts and culture as integral to the movement towards a more just society. CARA is a result of this inquiry.
Hait holds an advanced certificate in Management for Public and Nonprofit Organizations from NYU’s Robert Wagner School of Public Service and a bachelor’s degree in Art Semiotics from Brown University. She sits on the Director’s Councils of SculptureCenter and Triple Canopy, the Publisher’s Circle of Blank Forms, and the Feminist Art Council at the Brooklyn Museum, all in
New York, and on the Director’s Circle at ICA LA and Steering Committee of the Artists Acquisition Club in Los Angeles.
She lives in Brooklyn with her husband, artist and writer Justin Beal, and their two children.
Katheen Goncharov is a Senior Curator at the Boca Raton Museum of Art. She served as US Commissioner to the 50th Venice Biennale where she curated an exhibition by Fred Wilson for the American pavilion.
She has also organized international exhibitions in Cairo, Rio de Janeiro, New Delhi, Bologna, Venice, and Rome, as well as numerous exhibitions and projects in the US.
She was Public Art Curator at the List Visual Art Center at the Massachusetts Institute of Technology where she oversaw the Institute’s Percent-for-Art Program; Executive Director of Rutgers University’s Brodsky Center for Innovative Editions artist-in-residence program, and Adjunct Curator of Contemporary Art at the Nasher Museum at Duke University.
For fourteen years she served as Curator of the University Art Collection at The New School in New York City where she built a major art collection and organized public programs for the Vera List Center for Art and Politics.
