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The Sexual Justice Symposium panel explores sex, power, and justice through intersectional art and activism, academics, and healing. We hope to create a shared space and continue conversations about re-orienting narratives about rape and sexual violence.
Registered attendees will receive the Zoom link via email.
By joining this online event, you will be prompted to accept Zoom Terms of Service. If the session is recorded, you acknowledge that by participating, your name, phone number, and profile picture might be visible to the public. You can customize your personal information when creating your Zoom account. The New School may use any recorded material from the event.
IV is an abstract performance artist, sculptor and a group task based vignette maker. One's body is trained through athleticism, labor and play. As an object maker and laborer the gaps in between preparation and production inform One's choreographic decisions. A selection of locations IV has performed: Queens Museum (New York), Railyard (Santa Fe), dfbrl8r (Chicago), Gruentaler9 (Berlin), M.A.R.S.H (St. Louis) and Danspace Project (New York) and at Institute for X (Denmark). One has served on the following panels: Brooklyn International Performance Art Festival, Judson Memorial Church for Movement Research, the Exponential Festival 2018-19. One was also a core member on the Artists of Color Council for Movement Research 2018-19. Franklin Furnace Grant Recipient for 2019/2020. Castellanos co-founded and runs the DIY performance space, Para\\el Performance Space, in Brooklyn NY from 2018-current and Founder of IV Soldiers Gallery 2011-13.
Photo Credit: Nina Isabelle
Ayana Evans is a NYC based artist. She received her MFA in painting from Temple University and her BA in Visual Arts from Brown University. Evans has performed at El Museo del Barrio, The Barnes Foundation, The Bronx Museum, Newark Museum, the Queens Museum and countless public locations for her guerilla style performances. Her international work includes show at FIAP performance festival in Martinique, Tiwani Contemporary in London, and Ghana'a Chale Wote festival. Evans was a 2018 Fellow at EFA’s Robert Blackburn Printmaking Workshop, 2017-2018 awardee of the Franklin Furnace Fund for performance art, and a 2018 NYFA Fellow. Her recent press includes: The New York Times, Bomb Magazine, ArtNet, New
York Magazine's The Cut, Hyperallergic, and CNN. Evans is currently an adjunct professor at
Brown University.
Photo Credit: The image is taken by Tsedaye Makonnen as part of her Crowning Series, 2019.
Christen Clifford is a feminist performance artist, writer, curator, mother, and teaches at Lang College. Her work has been shown at The New Museum, Eva Presenhuber, AUNTSisdance, The Culture Project, PS 122/SoloNova, Grace Exhibition Space, Panoply Lab, Dixon Place, Postmasters Gallery, Vox Populii, ArtShare LA, Project for Empty Space, EFA Project Space, Art in Odd Places and abroad in Slovenia and Canada and across the U.S. Her installation Interiors: We Are All Pink Inside was a Critic’s Pick in Artforum, called “….transgressive, haptic, porous, and intimate.” She is the winner of the Gregory Millard Fellowship in NonFiction writing from NYFA, and fellowships and residencies from Women Make Movies, IFP, Project for Empty Space, Some Serious Business, and The Museum of Motherhood. She organized the first Sexual Justice Symposium at TNS in 2019. At Lang, she has taught What is Rape Culture?, Rape Culture and Sexual Justice, The Body in Performance Art, Contempory Feminisms, and Illness and Healing.
Lauren Gregory is a painter, animator, and educator who was born and raised in the mountains of East Tennessee. A third-generation southern female painter, she began by following in her mother’s and grandmother’s footsteps, often painting portraits of loved ones in quick one-sitting sessions. After earning her MFA from the School of the Art Institute of Chicago in 2009, Lauren developed a technique of oil paint stop-motion animation, a way of making her paintings move. She has created GIFs, looped video installations, and music videos for international acts which have screened at MoMA P.S.1, the New Museum, MOCA Los Angeles, and at museums and film festivals around the world. Lauren has completed artist residencies in Budapest, Hungary, in Monte Castello di Vibio, Italy, and in Newburgh, New York. Lauren teaches painting and animation at Parsons School of Design, Temple University and Ox-bow School of Art and Artists’ Residency. She is represented in New York by the Elijah Wheat Showroom. Lauren recently relocated to Nashville where she spends her time painting, teaching, quilting, hiking and making music.
Masha Tupitsyn is a writer, critic, and multimedia artist. She is the author of several books and films, such as Love Dog, LACONIA: 1,200 Tweets on Film, Beauty Talk & Monsters, Picture Cycle, and co-editor of the anthology Life As We Show It: Writing on Film. In 2015, she made the 24-hour film, Love Sounds, an audio-essay and history of love in English-speaking cinema, which concluded an immaterial trilogy that has been exhibited and screened in the United States, Canada, Europe, and Australia. Her new film, BULK COLLECTION, is forthcoming in 2021. Her writing on film, culture, feminism, and art has appeared in numerous anthologies and journals such as Bookforum, Artforum, The Los Angeles Review of Books, The Believer, BOMB, LitHub, Fence, Frieze, The New Inquiry, The White Review, and The Rumpus. She has taught film and gender studies at various universities. The first volume of her upcoming book Time Tells will be published in Fall 2021 with Archway Editions/Simon & Schuster. Her website is: https://www.mashatupitsyn.com
Jasmine Wahi is a Curator, Activist, TEDx Speaker, and a Founder and Co-Director of Project for Empty Space. She is the Holly Block Social Justice Curator at the Bronx Museum of the Arts. Her practice predominantly focuses on issues of femme empowerment, complicating binary structures within social discourses, and exploring multipositional cultural identities through the lens of intersectional feminism. In 2020, she curated the two part exhibition Abortion Is Normal, which received wide critical acclaim. In addition to her other work, Ms. Wahi is a faculty member at the School of Visual Arts: MFA Fine Arts department. She is a former board member of the South Asian Women’s Creative Collective (SAWCC), and a volunteer instructor for the Girls Educational Mentoring Services (GEMS) group. Ms. Wahi’s curatorial work has been featured in the New York Times, The Wall Street Journal, Art News, Art Forum, Hyperallergic, Bloomberg, VICE, and NOWTHIS.
This event is part of The New School's Gender & Sexualities Studies Institute's 2021 Gender Matters Symposium. You can browse other events here.
The purpose of this symposium is to gather all New School faculty working on gender and sexuality studies in order to share ideas and visions for the new Gender & Sexualities Studies Institute while building bridges between the different divisions and schools. By facilitating discussions between faculty and bringing in external keynote speakers, we aim to nurture a vibrant GSSI community internally but also build connections and bridges with the outside world, joining efforts to promote existing gender and sexualities studies.
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