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Developed out of Rasheedah Phillips’s ongoing practice as a member of Black Quantum Futurism and their 2020–2022 Vera List Center Fellowship project, the exhibition Time Zone Protocols and the accompanying Prime Meridian Unconference explore the “Protocol Proceedings,” that were developed at the 1884 International Prime Meridian Conference (IPMC). They trace the creation of written and unwritten political and social agreements, protocols, and rules that underlie Westernized time constructs. Time Zone Protocols aims to illuminate the impacts that oppressive time protocols and policies have on marginalized Black communities in the US, and how they help to catalyze and perpetuate systems of oppression that deny Black communities access to and agency over the temporal domains of the past and present while proposing protocols for new, equitable futures.
The three-day, hybrid Prime Meridian Unconference brings together artists, architects, musicians, and scholars of physics, geography, technology, and African American studies for interactive talks, workshops, panels, performances, and plenary sessions. From their various disciplinary backgrounds, the participants consider new ways of understanding our relationship to space-time, utilizing specific Black social, geographical, and cultural frameworks that seek to unmap Black temporalities from the Greenwich Mean timeline. Together they explore and unpack the standards and protocols of time that often leave Black people locked out of the past and future, and stuck in a narrow temporal present. Confirmed speakers and presenters include: Asia Dorsey, Dr. Walter Greason, Joy KMT, Kendra Krueger, Ingrid Lafleur, V. Mitch McEwen, Moor Mother, Dr. Danielle M. Purifoy, Ingrid Raphael, Dr. Thomas Stanley, Ujijji Davis Williams, and Dr. Celeste Winston. The Unconference will produce alternative principles, protocols, or values that relate to the possibilities of reshaping, remapping, or dismantling and creating new time zones or protocols of time to be more equitable and less oppressive to Black people and communities, enabling them to survive, thrive, and access their futures and pasts, and more expansive, healthier presents. These protocols will be explored using Colored People’s Time as an ontological framework and alternative theory of temporal-spatial consciousness.
***Please note you must register separately to attend the in-person Friday, April 15 Primer Meridian Unconference Opening Plenary. Please visit here for more information about the Opening Plenary.***
The Unconference will be livestreamed on the www.timezoneprotocols.space and the Vera List Center’s website. In-person attendance is now closed as we have reached capacity.
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The Prime Meridian Unconference is presented as part of Rasheedah Phillips’s Time Zone Protocols exhibition, a 2020–2022 Vera List Center Fellowship-commissioned project.
The Spring 2022 programs of the Vera List Center for Art and Politics at The New School are generously supported by members of the Vera List Center Board, individual donors as well as the following institutional funders:
The Andrew W. Mellon Foundation
The Andy Warhol Foundation for the Visual Arts
Boris Lurie Art Foundation
Dayton Foundation
Ford Foundation
Italian Council
Kettering Fund
Native Arts and Cultures Foundation
Pryor Cashman LLP
and
The New School
The Vera List Center tries to share its programs as widely as possible, which means recording our programming and making it available on the Vera List Center and The New School websites. By attending the event, you consent to photography, audio recording, video recording and its/their release, publication, or exhibition. You can view past Vera List Center events at veralistcenter.org/events/past.
Systemic time is typically mapped as objective time onto clocks, watches, and other artifacts of mechanical clock time, synchronized to a master time that lives at the Greenwich Prime Meridian. The talk will consider Western linear clock time as a chrono-oppressive system of surveillance, labor regulation, objectification, and punishment for marginalized Black communities specifically, and the temporal technologies Black people have developed to subvert, re-envision, reclaim, redesign, undesign, and dismantle the material realities of clock time and culture in their lives and communities.
Through four scenes in the U.S. South and Midwest in the 1990s-2010s, this session seeks the idea of Black “spacetime” as both a break in the lineage of plantation time and as a committed practice of sustaining relationships to people, to land, and to liveable futures. We engage a number of scholars and practitioners of Black “livingness,” including Katherine McKittrick, Fannie Lou Hamer, Jaki Shelton Green, JT Roane, Octavia Butler, and Clyde Woods. We also travel to a few living U.S. Black places in Soul City, NC, Institute, WV, Pullman, MI, and Lowndes County, AL.
Plant like humans are unknowable. And yet, the process of inquiry and being inquired about is what gives shape and contour to all existence. Plant personhood like human personhood cannot be contained. These personhoods have a way of leaking upon engagement. Causing the perceiver and the perceived to become different and bend in new ways as a byproduct of those moments of belonging. One of the unexplored ways of using plants is through allowing them to change our perceptions of relationships and in this, change our perception of spacetime. This somatic session, combines social meditative technologies along with common, safe and powerful nervine plants to demonstrate our ability to shape time as a relational practice.
Required Reading (choose one):
Healing the Dream Body with LemonBalm
Hawthorn & the Rhythm of Life
Ujiji Davis Williams - Occupying Vacancy: Looking at Detroit’s Grassroot Activation of Vacant Land and Structures
Detroit’s recent identity as the ‘comeback’ city should be largely attributed to the local effort and investment of Detroit residents who have been living with extreme land vacancy. After a long period of disinvestment and into a recent (rather rapid) moment of reinvestment, many Detroiters are focusing on repairing their history of loss through neighborhood-based and locally serving green spaces that reflect historic values and future aspirations. In this session, we will explore some examples on how Detroiters are threading the past into the future through present spaces.
Timecasting is an Intuitive technology based on both ancestral and modern technologies.
It is a process of ritual and resonance that allows one to navigate timespace in order to find and elevate or expand one’s experience through portals of resonance. These resonant timespace portals can be generated or discovered by understanding the dynamics of entropy(chaos) and laser/masers(coherent amplification) along with tracking personal systems, patterns and collecting biometric and environmental data. This workshop will guide participants through the philosophy of these dynamics, share some Timecasting techniques along with a scientific process of creating your own through inquiry, discernment and liberation. These technologies work with emotional, physical and mental energy. They can in fact transform, transmit, store and receive information, matter and energy, just as any modern-day technology, however, with the intentional ability to heal and expand the possibilities of our reality.
Dr. Thomas Stanley - Epochs, Ages, and Yugas: Macro-Temporal Texture and the Expiration of White Power
If, as Dr. Stanley suggests, Alter Destiny is the new AD—the next major demarcation in planetary time, what is this Alter Destiny, exactly, and what is our most healthy relationship to this temporal phase shift? Additionally, what tools, weapons, and strategies can we deploy to increase the likelihood that the advancing timewave delivers us to a better place, a place more suitable for the wellbeing of children and trees.
Walter Greason - CHRONOMORPHISM: A Conversation on the Black Speculative Science of Time Travel with Dwayne McDuffie
Black speculative design has existed for more than 10,000 years. Modern awareness of these techniques emerged from the musical forms of jazz and hip hop before taking shape in a graphic arts revolution at the end of the twentieth century. Dwayne McDuffie’s work in Milestone Media transformed the imaginary landscapes of print and visual media through programming like the DC Animated Universe, Marvel Comics’ Black Panther, and hundreds of independent expressions like the Black Age of Comics. In 2010, McDuffie explored the concept of ‘chronomorphism’ in the context of the Milestone “Shadow Cabinet” comics. This hermeneutic informed a public sense of genealogy, ancestry, and lineage that defined a new generation of Black Speculative work, often called “Afrofuturism.” Found in Erykah Badu’s song “Next Lifetime” and KRS-One’s lyrics “Aw Yeah,” chronomorphism explains a transcendent sense of atemporal power that continues to define new art in work like HBO’s Lovecraft Country and New Line Cinema’s “Matrix Resurrections.” This session will provide a detailed analysis of the science of chronomorphism as it emerged in discussions with Dwayne McDuffie and other Black Speculative creators.
Dominant white pathology steals time, increasing the lifespan of the white mainstream through antagonism of Black beings, which creates cascading effects of shortened lifespan. One direct attack and antagonism of Black time is the theft of Black Grief time. In this workshop, we will relieve Black folks of some weight/ dead time that we carry in the cells of our body through the construction of demarcated temporal Hush Harbors.
This session explores fugitive infrastructure as a foundation for Black freedom struggles across time. Infrastructures, generally defined, are material systems that organize and sustain everyday life. “Fugitive infrastructures” encompass material arrangements produced through cumulative efforts by everyday people to organize and sustain life when possibilities for survival seem foreclosed (Cowen 2017). Whereas infrastructure signifies permanence and rootedness in place, fugitivity implies that which is in flight, fleeting, transitory, or temporary. The seemingly impossible overlay of these multiple characteristics invites a consideration of what it means to produce a material, grounded basis for fugitivity over time. We will center the ongoing history of marronage and resistance to policing in one place in Maryland to outline a protocol for locating the capacity of Black flight to produce longstanding, generational infrastructures that disrupt dominant power structures and relations.
Suggested readings:
Winston, Celeste. “Maroon geographies.” Annals of the American Association of Geographers 111, no. 7 (2021): 2185-2199.
Hawthorn & the Cowen, Deborah. “Infrastructures of Empire and Resistance.” (2017)
When Black bodies were forced across time zones during the trans-Atlantic slave trade, did a time sickness occur that we have yet to identify? Afrofuture theorist Ingrid LaFleur invites attendees to join her for a co-creation session to investigate how healing could occur through the implementation of new time systems. Black life has been fraught with health issues such as high blood pressure, fibroids, and more. Could a multi-temporal approach to work/life create pleasurable and efficient ways of maintaining Black health and improving our overall quality of life? If so, what are the time systems that need to be incorporated? Will we be able to apply these systems within the metaverse? Attendees will work through this inquiry together with LaFleur to explore the future possibilities of multi-temporal living.
Welcome to Malleable Futures: a location and orientation that imagines and interprets time through collective-manifesto making, ritual setting, journal prompts, and performance. Using research of cities & history as a structure, body-movement as a vessel, plant growth and hair braiding as a guide, music & sound as time annotation, participants of Malleable Futures will connect the dots between those findings and their experiences of time to ground in a limitless past-present-future
What happens when we embody time as malleable ? What does (y)our measure of time look or feel like? Where does time betray you? How can it show up for you/us? These are some of the questions Malleable Futures will explore and unearth to provide actual tools we can use when you exit Malleable Futures.
Come prepared to experience the world of Malleable Futures where journaling, reflection, ideas of time are all possible | bring a friend.
Investigating the unknown using our senses and meditation to uncover buried histories and hidden past and future memories. Everything is alive. We will deepen our sensitivity and become in tune with so-called inanimate matter. We will learn to identify different temporalities in a multitude of spaces and places, in order to learn to tap into the temporali- ties of the Black Time Belt.
In the two months leading up to the exhibition and Unconference, Phillips convened a group of Time Zone Protocols Surveyors—individuals who together met to examine and discuss TZP research materials, which includes an archive of readings, images, sounds, and videos on time zones, time, temporality, prime meridians, and temporal oppression as experienced by Black communities. The Surveyors, selected through a call for applications, attend and contribute to the Unconference, collectively developing protocols, resolutions, temporal tools, time zones, and markers. These principles and new protocols are compiled and shared, with attendees taking the principles back to their communities with a commitment to working toward upholding them and creating liberated futures, new space-times, and environments where these shared principles can be utilized and honored.
Committed to amplifying diverse voices, The New School offers more than a thousand public programs and events each year, providing fresh perspectives and unique learning opportunities. These lectures, exhibitions, concerts, and performances feature prominent and emerging artists, activists, and thought leaders.
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