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"Please Hold" Film Screening

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Thursday
, 
September 
19
, 
2019
, 
7:00PM
 to 
10:00PM
 (
EDT
)
"Please Hold" Film Screening


What does it mean to hold the legacy of beloveds on changing formats? How do mourning and memory change across time and tech? Twice in her life, once in her late 20s and again in her late 50s, the filmmaker Alexandra Juhasz was asked by two very different friends to record them as they were dying, as AIDS activists and collaborators.


Drawing on decades of activist media, two deathbed videos, and the wisdom of living AIDS workers, "Please Hold" invites us to sit together in one (ever-changing) format—video (VHS, Hi-8, digital, Zoom)—to reflect on grief, community, and survival. How do neighborhoods, queer bars, and the sweaters and scarves of loved ones hold ghosts? How do we let them go?


The screening will be followed by a conversation between the director and the co-creators of the teaching guide “for further learning” that accompanies the installation, History of Design and Curatorial Studies MA alumni Chloe Buergenthal and Shwe Ye Shoon Myat, and moderated by Assistant Professor of Contemporary Art Practice and Theory, Mev Luna. Intergenerational exchange—between those alive and eager to learn from each other; and those who we can only meet and learn to love in the archive—is at the heart of the video, and its installation, HOLDING PATTERNS.


This event is part of a series of programs in conjunction with the installation Holding Patterns by Alexandra Juhasz on view at The Lesbian, Gay, Bisexual & Transgender Community Center in New York City and the ONE Archives at The University of Southern California, Los Angeles. The Lesbian, Gay, Bisexual & Transgender Community Center installation is supported by the Pat Parker/Vito Russo Library and the LGBT Community Center National History Archive. The installation is on view from October 15th through December 14th.

Presented by The New School's Gender and Sexualities Studies Institute and The Pat Parker/Vito Russo Library at The Lesbian, Gay, Bisexual & Transgender Community Center.

Health & Safety Information

Effective February 23, 2023, event guests and/or visitors to the New School are no longer required to provide proof of up-to-date vaccination or negative result from a PCR test and do not need to use the CLEAR app to present their vaccination status. 


Wearing a mask is recommended but not required on campus.

Accessibility

This event will feature live (auto-generated) transcription, and/or live (human/professional) transcription, and/or American Sign Language interpretation. <<DELETE IF NOT APPLICABLE>>


New School students seeking accommodations should contact the Student Disability Services office at studentdisability@newschool.edu.

 

Event guests seeking accommodations may contact the event organizer by clicking the "Contact the Organizer" link at the bottom of this page.

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Free

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https://www.newschool.edu

Accessibility

The Kellen Auditorium is wheelchair accessible, via the east door near the stage (there are three steps up at the west door). There is a designated wheelchair area at the back of the auditorium, otherwise all fixed seating. There are all-gender restrooms on all floors of the Parsons School of Design building (accessible by wheelchair), except the first floor, where the Kellen Auditorium is located.

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Additional Details 

Dr. Alexandra Juhasz is Distinguished Professor of the Film at Brooklyn College, CUNY. Alex is the producer of the feature films The Watermelon Woman (Cheryl Dunye, 1997) and The Owls (Dunye, 2010). She has directed the feature documentaries SCALE: Measuring Might in the Media Age (2008), Video Remains (2005), Dear Gabe (2003), Women of Vision: 18 Histories in Feminist Film and Video (1998), and the shorts RELEASED: 5 Short Videos about Women and Prison (2000) and Naming Prairie (2001), a Sundance Film Festival, 2002, official selection. All played in festivals and enjoyed community-based distribution. She is the author of AIDS TV (Duke, 1995); AIDS and the Distribution of Crises, with Jih-Fei Cheng and Nishant Shahani (Duke, 2020); We Are Having This Conversation Now: The Times of AIDS Cultural Production, with Theodore Kerr (Duke University Press, 2022); and scores of articles and videos about AIDS.


Mev Luna is a research-based artist whose practice spans performance, film, new media, and text. Through an autoethnographic methodology, their work considers issues of institutional access, incarceration, and how images of marginalized groups are circulated and controlled. Recent exhibitions include the international solo “Warped Terrain” at laNao Galería, Mexico City. Luna’s time-based works have premiered at SFMOMA and Artists’ Television Access, San Francisco, The Gene Siskel Film Center, Chicago, and Kino Moviemento in Berlin. Their practice has been supported by grants and fellowships from the Art Matters Foundation, New York Council on the Arts, Mellon Initiative for Inclusive Faculty Excellence at The New School, Queer|Art, and by residencies including MASS MoCA, Cobertizo (Mexico), Chicago Artists Coalition, SOMA Summer Program, and Shandaken: Storm King. 


Shwe Ye Shoon Myat is a graduate of the MA program in History of Design and Curatorial Studies at The New School and holds a BS in Biology with a minor in Psychology from the New York Institute of Technology. She is part of the archive and curatorial team at Josefina Bailleres and curates with Project.A.Art Group, serving as a dramaturg and curator for performance and visual art projects. Her interdisciplinary background spanning the sciences, curation, and design history informs her approach to storytelling and public engagement. Shwe has worked on projects that explore questions of gender, womanhood, existence, movement, and the complexities of lived experiences.


Chloe Buergenthal is a design historian and amateur ceramicist focusing on accessibility and engagement across curatorial and educational spaces. They are an MA candidate in the History of Design and Curatorial Studies program at Parsons School of Design and have held roles at the Cooper Hewitt Smithsonian Design Museum, the Museum of Arts and Design, R & Company, The FLAG Art Foundation, the Design + Construction Department at Memorial Sloan Kettering Cancer Center, and the world famous dishware store Fishs Eddy. Their research engages with American arts and crafts, sloppy aesthetics, cuteness, and popular culture while exploring the power of the hand and purposeful deskilling in relation to capitalism, queerness, politics of care, embodied resistance, and the history of craft.



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