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This panel explores the evolving ways in which specific communities have been marginalized and criminalized by political and social institutions in New York City. Each talk amplifies suppressed voices, reveals the mistreatment of the city’s vulnerable populations, situates our current city within its history, and uncovers solutions to reclaim the city.
Charley Baker, Liberal Arts '24
Minor: Ethnicity and Race
Daltin Danser, Global Studies and Journalism + Design '25
Minor: Hispanic Studies
Michael Endrias, BAMA: Politics '22 / Psychology '23
Minors: Philosophy and Sociology
Isabella Gallo, Journalism + Design and Urban Studies '25
Rama Lapidus, Liberal Arts '24
Venus Zhang, Economics and Creative Coding '22
Faculty: Christoph Cox, Dean
This panel challenges traditional boundaries between the naturally determined and the socially constructed as they operate within the disciplines of medicine, philosophy, media theory, and environmental studies. Our presentations interrogate the constitution of the social world, the autonomy of nature, and the concept of the human body as such.
Things We Lose, Things We Remember threads together four personal and national stories of collective memory, legal identity, cultural translation, and historical erasure. This panel challenges dominant narratives and established understandings, creating a space for reconstructing and reimagining home.
Is policing reform through social work plausible or ethical?
Lang Social Science Fellowship
Special thanks: my mother, my friends, my mentors, my privilege, and my trauma.
Why the MTA isn’t treated like the public utility it is - And how to change that.
This project was originally created in Andrea Marpillero-Colomina’s class, City in Motion: Transportation (UURB 3301).
Thank you to Professors Miller Oberman and Andrea Marpillero-Colomina, and everyone who has listened to me talk unendingly about public transit.
What does it mean to have and be a body? How can we define a body without relying on archetypes set by biology and science?
This project began as a final essay for Professor Deborah Levitt’s Science/Fiction: Technoculture, Embodiment, and Power class from the Fall of 2021.
Thank you to Professor Levitt for your guidance throughout this project and for creating an amazing Sci/Fi class, and to my dear Island Time friends for keeping me afloat.
Why have California’s fire seasons become increasingly unpredictable and detrimental? What responsibilities do the government and individuals bear in prevention efforts?
My project, “Burning Too Close to Home: California’s War on Wildfires,” began as a final presentation for Professor Sarah Slobin’s Visualizing Data class from the Fall of 2021.
Thank you to Sarah Slobin for your kind encouragement throughout this project, and to my dear friends & family who continuously show me that “home” is more than just a physical location.
Are law, custom, and tradition contradictory to human nature or integral to it?
I seek to put current debates in philosophy between constructivism and essentialism in dialogue with a debate in ancient Greek ethics between nomos and physis, explicitly drawing on the relationship between the ethical thought of Protagoras and Hegel.
This presentation stems from ideas discussed in Prof. Cinzia Arruzza’s class “Plato and the Sophists”.
Thank you to Cinzia Arruzza for your continual insight and support throughout this project, and to Noa, whose love is what makes philosophy possible for me.
How can we bridge the gap between two valid forms of medicine - Western psychotherapy and Traditional Chinese Medicine - and why should we? How can we restructure the approach to mental health to be able to provide the most effective form of therapeutic treatment?
WTEII: The Problem of the Body by Helen Rubinstein- this project was my final for their class.
Thank you to Helen Rubinstein for your unconditional support and encouragement for this project. It would not be where it is today without your assistance and guidance.
How could one of the largest military bases in the Pacific (Pearl Harbor) also be home to Hawai‘i’s most popular tourist destination? This project examines the mutually beneficial relationship between the U.S. Military and the tourism industry in Hawai‘i, and how their ability to thrive is based upon narratives that remove and replace Native Hawaiian sovereignty with U.S. patriotism and security.
Part of Global Economies (Fall 2021).
Thank you to Professor Laura Liu. Thank you to my mother for always supporting me. Mahalo nui loa no ka lāhui Hawai‘i.
Le Mie Voci is a collection of essays that deals with the topic of language and translation. As a native Italian speaker and bilingual writer, I am interested in what language offers, what is lost in its absence, and what is added or removed when a language is substituted with another one.
Part of my writing courses at Lang, from Writing The Essay to the Capstone (2020-2023)
Thank you to all my Writing Professors at Lang for supporting this project from the very beginning.
This project focuses on discourses of normalcy/abnormalcy and how they determine fear when Russian queer people seek asylum in the United States. I focus on the connections between law and culture in both countries, the fixed identities attributed to the queer body, and the resulting fear of these attributions.
Part of Immigration and the Politics of Fear (Spring 2022).
Thank you to Valentina Ramia for all of your guidance, and thank you to my parents for all their support. My deepest gratitude goes to Dr. Cubas, who ignited my passion and believed in me.
KAKI TANGAN (or ACCOMPLICE) is a short essay film that explores the distorted histories surrounding the event known as the Indonesian communist purge (1965-66). By chronicling discrepancies in individual recollections of the massacre, through interviews with my parents and mixed-media archives, this film marks the beginning of a personal interrogation of contemporary Indonesian history.
Part of Consciousness & Crisis: Cinema in Times of Radical Change (Spring 2022).
Thank you to Suneil Sanzgiri for your instruction, and thank you to Ibu and Abaji for lending your voice to the film.
In the face of rising food inequality driven by volatile financial markets, unequal development, and lags in global supply chains, how can food sovereignty serve as a foundational stepping stone towards an alternative, democratic food system?
The point of this presentation is to consider why it is so necessary to consider the role food sovereignty plays in our future and examine ways to dismantle our reliance on the capital marketplaces through expanding food autonomy in our immediate areas. My goal with this project is to re-define self-sufficiency and collectivity using local food production and distribution systems.
Thank you to Debasmita, Prof. Ying Chen & Clara Mattei for their encouragement and suggestions, my friends in the Lang and NSSR community who earnestly listened and gave me insightful feedback.
Oftentimes, academia is considered to be the gold standard of objectivity, with published works influencing the perception and understanding of what is culture (and therefore uncultured) of the world of published articles and global society at large. Through dissecting how the culture and people of Somalia are portrayed from early anthropology till now, we can connect modern misconceptions and stereotypes that condition cultural anthropology to narrativize Somalis in a colonial framework as well as highlight Somali anthropologists and artists actively taking part in the narration of our own history.
Thank yous to the Somali community both diasporic and at homeland