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These talks, in various ways, explore technologies that we as humans use to mediate our relationships to each other, to the natural world, and to ourselves. We take the term technology here in its broadest definition, including the digital and cinematic, as well as the linguistic, the psychological, and the pharmacological.
Olivia Dick, Anthropology '22
Minor: Visual Studies
Michelle Coppola, Screen Studies '23
Minors: Film Production and Chinese Studies
Robert Lam-Burns, Anthropology '23
Minors: Philosophy and Sociology
Ehani Schneiderman, Literary Studies '22
Minor: Anthropology
Zahra Mansoor, BFA: Art, Media, and Technology '23
Minor: Creative Entrepreneurship
Nancy Wei, BA/MA Journalism + Design '22 / Creative Publishing and Critical Journalism '23
Minor: Code as a Liberal Art
Faculty: Rory Solomon, Code as a Liberal Art
A singular, totalized history is merely an image of a specific narrative that takes precedence over others. Thereby, the fallacy of a universal history is normative. Historical normativity is engendered by processes of systematic hegemony (colonial, racial, socio-religious, etc.). This panel accounts for histories in their multiplicity that exist outside the universalized framing of a singular past. Across these projects, we see myriad conceptions of past, present, and future, materialized through political activism, indigeneity, mysticism, and material culture.
Breanna Georges, Culture and Media '24
Minors: Gender Studies and Race and Ethnicity
Gillani Peets, Journalism + Design '22
Minor: Culture and Media
Omar Abdulrahman, Anthropology '22
Minor: Museum & Curatorial Studies
Eliska Skye Telleen, BFA: Performing Arts '22
Minors: Global Studies and Religious Studies
Osvaldo M. Báez Reyes (Waldo), BFA: Illustration '22
Faculty: Clara Latham, Contemporary Music
The disruption of relationships during the Covid pandemic invites new reflections on our connections with one another. Our panelists explore the themes of loneliness, community, family, and intergenerational exchange, through different lenses, including the visual arts, creative writing, and philosophical analysis. Join us for an afternoon of collective processing, in which we will reexamine the nature of social relationships across space and time.
Nina Damiecki, Psychology '22
Minors: Anthropology and Culture & Media
Nadine Alison Cabo Chan, Psychology '22
Katherine (Katie) Comfort, BA/BFA: Journalism & Design/Photography ‘22
Rosannie Then (Rose), Literary Studies ‘22
Minor: Gender Studies
Camilla Ozaeta, Global Studies '22
Minor: Race and Ethnicity Studies
Viyan Poonamallee, Philosophy ‘24
Minor: Code as a Liberal Art
Faculty: Ben Van Buren, Psychology
3rd Floor Skybridge & @EugeneLang
Taking our sense of immersion to the aquatic, Ehani Schneiderman turns our attention to the ocean. Through the embodied material explorations of her scuba practice, as well as more traditional humanistic research methods, Ehani examines conservation discourse to inquire why we seem unable to talk about saving the seas without talking about saving ourselves.
Nancy Wei, BA/MA Journalism + Design '22 / Creative Publishing and Critical Journalism '23
Minor: Code as a Liberal Art
Nancy Wei will share analysis from a currently ongoing project that reports a journalistic piece through a video game format. Nancy asks whether it is possible to present a news story as a game, and in doing so asks how the field of journalism may grapple with new technologies going forward. It is a slightly broader version of this question that cuts across all these talks, to ask how we as humans, and our technologies are always in a co-constitutive process of mutual shaping and formation.
How can we create a deeper understanding between the generations while at the same time helping those around us heal from the depression brought on by the COVID-19 pandemic?
I would like to acknowledge the two professors who helped me launch and further this project: Professor Adam Brown and Professor William Hirst. I would like to dedicate this project to my grandfather John Rand (1921-2011) and Shirley Herz (1925-2013). I would like to acknowledge my parents Theodore Damiecki and Eliza Rand for raising me and teaching me the importance of compassion towards others.
Can Alzheimer's offer insight into the ways we navigate the tension between memory and the self?
After my grandmother’s diagnosis at the beginning of the pandemic, my need to answer this question became far more pressing. Through a series of explorations into memory, I began an investigation into how we remember and the ways we try to cope with knowing we don’t know.
Support for Project:
Parsons – Visual Literacy (Michael Sainato), Lang – Journalism and Design Capstone (Andrew Meier, Photojournalism and Urban Crisis (Lauren Walsh), Art and Journalism (Anjali Khosla)
Special Thanks:
to my family, i love you and the way you let me share slices of our world. always.
to my yiayia, i will never stop collecting your stones.
σ' αγαπώ…
My project is a critique of the “American Dream” and the lasting effects of tremendous intergenerational and societal pressure to achieve capitalist success. I want to leave you with doubts concerning a neoliberal society that applauds foreigners for performing exploitative labor and facing uncertain legal status in a new country.
Acknowledgments: I would like to express a special thank you to my family and ancestors who have supported me throughout this entire process of healing and processing. Me gustaría expresar un agradecimiento especial a mi familia y a mis antepasados que me han apoyado durante todo este proceso de curación y procesamiento.
What is the categorical status of loneliness as it exists within twenty-first century quarantine?
My assertion is that loneliness within quarantine is a new type within the taxonomy of loneliness. Due to facets of digital communication and the collective experience of the pandemic, our current loneliness is a new one.
Thank you to Professor Helen Rubinstein in the First-Year Writing Program, along with everyone in Writing the Essay 3 during Spring 2021.
In the face of rising food inequality driven by volatile financial markets, unequal development, and lags in global supply chains, how can food sovereignty serve as a foundational stepping stone towards an alternative, democratic food system?
The point of this presentation is to consider why it is so necessary to consider the role food sovereignty plays in our future and examine ways to dismantle our reliance on the capital marketplaces through expanding food autonomy in our immediate areas. My goal with this project is to re-define self-sufficiency and collectivity using local food production and distribution systems.
Thank you to Debasmita, Prof. Ying Chen & Clara Mattei for their encouragement and suggestions, my friends in the Lang and NSSR community who earnestly listened and gave me insightful feedback.
Oftentimes, academia is considered to be the gold standard of objectivity, with published works influencing the perception and understanding of what is culture (and therefore uncultured) of the world of published articles and global society at large. Through dissecting how the culture and people of Somalia are portrayed from early anthropology till now, we can connect modern misconceptions and stereotypes that condition cultural anthropology to narrativize Somalis in a colonial framework as well as highlight Somali anthropologists and artists actively taking part in the narration of our own history.
Thank yous to the Somali community both diasporic and at homeland