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Join us for readings and conversation with Jamie Hood and Kate Zambreno.
About Trauma Plot: A Life:
In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind. With her trademark critical remove, Hood interrogates the archetype of the rape survivor, who must perform penitence long after living through the unthinkable, invoking some of art’s most infamous women to have played the role.
About How to Be a Good Girl:
Jamie Hood’s How to Be a Good Girl is an inventive and hybrid work of self-making, mingling diary entries, poetry, literary criticism, and love letters to interrogate the archetype of the “good girl,” and the ideas of femininity, passivity, desire, and trauma that come with it. Journeying from the ice age to our modern-day climate crisis, it devoured texts as expansive as Levinas and Plath to the Ronettes and after-school specials, all the while asking: what pound of flesh must a woman pay to be seen as “good.”
About Animal Stories:
From a writer who has “invented a new form” (Annie Ernaux), an exploration of mortality, alienation, boredom, surveillance, and how we regard ourselves among the animals. Animal Stories begins with Kate Zambreno’s visit to the monkey house at the Jardin des Plantes in Paris, where one stark tree “seems to be the stage design for a simian production of Waiting for Godot.” But who are the players and who is the audience, and can they recognize each other?
About To Write As If Already Dead:
To Write As If Already Dead circles around Kate Zambreno’s failed attempts to write a study of Hervé Guibert’s To the Friend Who Did Not Save My Life. In this diaristic, transgressive work, the first in a cycle written in the years preceding his death, Guibert documents with speed and intensity his diagnosis and disintegration from AIDS and elegizes a character based on Michel Foucault.
Moderated by Larissa Pham, Assistant Professor of Writing Nonfiction.
Presented by the Creative Writing Program at The New School for Social Research.
Jamie Hood is the author of Trauma Plot: A Life and How to Be a Good Girl, one of Vogue’s Best Books of 2020, and Regards, Marcel, a monthly newsletter on Proust and other miscellany. Her essays and criticism have appeared in The Baffler, Bookforum, The Nation, Los Angeles Review of Books, The New Inquiry, The Drift, and elsewhere. She lives in Brooklyn.
Kate Zambreno is the author most recently of Drifts; To Write As if Already Dead, a study of Hervé Guibert; The Light Room; and a collaborative study on tone in literature with Sofia Samatar. They live in Brooklyn with their two children and their partner, John Vincler. A 2021 Guggenheim Fellow in Nonfiction, they are a PhD candidate in performance studies at NYU.
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Kate Zambreno is the author most recently of Drifts; To Write As if Already Dead, a study of Hervé Guibert; The Light Room; and a collaborative study on tone in literature with Sofia Samatar. They live in Brooklyn with their two children and their partner, John Vincler. A 2021 Guggenheim Fellow in Nonfiction, they are a PhD candidate in performance studies at NYU.
Jamie Hood is the author of Trauma Plot: A Life and How to Be a Good Girl, one of Vogue’s Best Books of 2020, and Regards, Marcel, a monthly newsletter on Proust and other miscellany. Her essays and criticism have appeared in The Baffler, Bookforum, The Nation, Los Angeles Review of Books, The New Inquiry, The Drift, and elsewhere. She lives in Brooklyn.
