Please join Parsons Media Studies and Eugene Lang Culture and Media in celebrating the release of R. Joshua Scannell and David Bering-Porter’s highly anticipated new books, The Carceral Surround and Undead Labor. Offering novel treatments of the media, technological, and cultural infrastructures of contemporary racial capitalism, Scannell and Bering-Porter provide important theoretical frameworks for understanding how we have arrived at the current moment of polycrisis. Scannell and Bering-Porter will be in conversation with Dominic Pettman, University Professor of Media and New Humanities, to critically think through the deadly stakes of the present, and the open possibilities for new futures.
This discussion, presented by the Department of Culture and Media, Parsons Media Studies, and Critical Themes, is the inaugural event of Media Studies at the New School, an ongoing series highlighting cutting-edge faculty and student research into contemporary media and culture.
R. Joshua Scannell, The Carceral Surround
How digital technologies entrench state power—and a new vision for resistance
As law enforcement agencies deploy increasingly advanced technologies to suppress dissent, hunt migrants, and target marginalized communities, The Carceral Surround offers a powerful new theory of police and prison power in the digital age. Making sense of the rapid expansion of digital carceral infrastructure in a nation that claims to value freedom and individual rights, R. Joshua Scannell moves beyond familiar debates over privacy to show that understanding digital policing requires confronting the political and racial logics that sustain police power.
Drawing on digital media theory, science and technology studies, critical race and ethnic studies, and carceral theory, The Carceral Surround reveals how twenty-first-century policing is less about managing crime than about governing possibility. Carceral power now operates across every register of daily life through predictive analytics, risk modeling, and algorithmic systems that track, sort, and preempt. From social media archives and facial recognition software to satellite mapping and radiation sensors, Scannell charts how seemingly disparate media converge into an environment of control that links technocratic governance to the maintenance of racial hierarchy and capitalist order.
Tracing today’s technoauthoritarian regime from the NYPD’s assault on Black Lives Matter protesters in 2020 to the Stop LAPD Spying Coalition’s campaign to end predictive policing contracts, The Carceral Surround is a rare hybrid of critique and refusal, illuminating the digital logic of US authoritarianism while imagining pathways for collective resistance beyond its grasp.
David Bering-Porter, Undead Labor
How the zombie represents capitalism’s fantasy of limitless labor
Much more than just an enduring figure of horror entertainment, the zombie is a uniquely modern symbol representing capitalism’s most brutal demands on human life. Examining the push to extract surplus value from human bodies in ways that exceed their natural limits, David Bering-Porter shows how this notion of the undead is both integral to and symptomatic of capitalism’s endless cycle of growth and consumption.
Bering-Porter demonstrates how the zombie has long been deeply intertwined with issues of race and exploitation, from its origins in the slave plantations of colonial Haiti to its traces in the continuing evolution of artificial intelligence systems, serving as capitalism’s ideal worker: one that never rests, never stops, and never dies. Featuring close readings of Marx alongside films such as I Walked with a Zombie, The Blob, and Night of the Living Dead, the book traces the concept of undead labor as it manifests across various historical epochs, providing insight into the manifold ways that capitalism has sought to transform living beings into instruments of limitless production.
As he weaves together critical race studies with an analysis of popular culture and media, Bering-Porter interrogates racialized capitalism and its fantasy of labor beyond all limits. By highlighting how the zombie is borne of the same ideology that has given rise to contemporary burnout culture and environmental collapse, Undead Labor uncovers the capitalist system’s relentless death drive with the hope that it finally may be put to rest.
Presented by the MA Media Studies at Parsons.
R. Joshua Scannell is Assistant Professor of Media Studies at The New School. His concentration is in digital media theory. He researches how ubiquitous computational media organizes sensoria and governance in the 21st century. He is the author of The Carceral Surround (University of Minnesota Press, 2026) and Cities: Unauthorized Resistance and Uncertain Sovereignty in the Urban World (Routledge, 2012). He previously taught in the CUNY system and at NYU. He received his PhD in sociology from the CUNY Graduate Center.
David Bering-Porter is Associate Professor of Culture and Media at The New School, where his research and teaching address film and media studies, digital culture, and the intersections of Black studies and artificial intelligence. His first book, Undead Labor: Capitalism's Zombie Worker (University of Minnesota Press, 2026), traces the figure of the zombie from Haitian revolutionary culture to contemporary automation discourse, showing how race, labor, and value converge in the mediated body of the undead worker. His writing has appeared in Critical Inquiry, Culture Machine, MIRAJ, Flow, Calibano, and the Los Angeles Review of Books. A founding member of the Digital Theory Lab at NYU and a recipient of the Lilly Teaching Fellowship for his work in pedagogy and the digital humanities, he is also affiliated with the Institute for Race, Power, and Political Economy and the Vera List Center's “Matter of Intelligence” theme.
Dominic Pettman is University Professor of Media and New Humanities. He has held previous positions at the University of Melbourne, the University of Geneva, the University of Amsterdam, and the American University of Paris. His courses explore posthumanism, critical theory, Continental Philosophy, cultural studies, digital culture, animal studies, sound studies, new media, environmental humanities, and affect theory.
The Masters of Art in Media Studies in Parsons combines media theory, research, and production studies, preparing students to contribute to a complex and rapidly changing media landscape. Studying in the world’s media capital, New York City, our students acquire critical insights and technical skills in rigorous topical courses taught by leading scholars and creative professionals. Our alumni find careers in a wide range of fields, from media curating and communications to film and media-making to media research and scholarship to industry leadership and innovation.
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