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In Our Time is an ongoing series of wide-ranging conversations with artists whose creative lives and work have left an indelible mark in music, and arts and culture globally. In Our Time was conceived by the longtime President of Nonesuch Records, Robert Hurwitz whose unique history with each of the artists adds perspective and insight.
Hurwitz explains: In Our Time is a series of conversations about what it means being an artist in this moment. The "moment" has evolved since I first began planning the series: it was at first the pandemic moment; then it became the economic catastrophe and jobless moment; then it became the George Floyd/Black Lives Matter/racial injustice moment; then it became the fire/hurricane/global warming moment; and now it’s the election/Supreme Court and democracy under fire moment - and many moments in between. All of these moments are still with us, they keep piling on.
Part of the conversations will be about practical considerations. What it means for a musician accustomed to constantly performing for audiences suddenly going for months without being front of the public. What it means being away from the fellow musicians who are such an important part of their life. What it means in terms of the daily rhythm of life; what it means economically. And what it might mean in terms of current and future creative work.
Presented by the College of Performing Arts and UCLA; special thanks to Nonesuch Records.
Robert Hurwitz served as President of Nonesuch for thirty-two years, beginning in September 1984. When he took over Nonesuch, it was a classical label and the home of the legendary Explorer series. After he became the head of the label, he redefined its role in contemporary classical music and modern composition, expanded its mission in world music, and began recording and releasing artists from a wide range of musical genres, including jazz, music theater, folk, bluegrass, and rock.
Among the artists he has signed or worked with are composers including John Adams, Laurie Anderson, Timo Andres, Louis Andriessen, Donnacha Dennehy, Henryk Gorecki, Philip Glass, Adam Guettel, Nico Muhly, Astor Piazzolla, Steve Reich, Frederic Rzewki, Stephen Sondheim, and John Zorn as well as performers and songwriters including Björk, Devendra Banhart, David Byrne, Jeremy Denk, Bill Frisell, Gipsy Kings, Richard Goode, Tigran Hamasyan, Kronos Quartet, Gidon Kremer, k.d. lang, Lake Street Dive, Lorraine Hunt Lieberson, Audra McDonald, Natalie Merchant, Stephin Merritt (and the Magnetic Fields), Brad Mehldau, Pat Metheny, Mandy Patinkin, Punch Brothers, Randy Newman, Joshua Redman, Chris Thile, Dawn Upshaw, Caetano Veloso, and the World Saxophone Quartet.
The Boston Globe said, “Under Robert Hurwitz, Nonesuch Records has been an oasis of artistic excitement. When one picks up a Nonesuch CD, there is a sense of occasion, the feeling that the artists in question have been assembled not as an exercise in star power, but as an exercise in artistic exploration.” And the New York Times Magazine said, “In a business now largely run by accountants and M.B.A.’s, Hurwitz is, in the words of Stephen Sondheim, ‘one of the few left who practice the making of records as a craft.’”
Hurwitz has remained closely involved with Nonesuch’s creative activities as an Executive Producer on a dozen projects a year; he is also the Chairman Emeritus of the company. He has taught at the New School for more than a decade, and has been teaching at UCLA for the past few years as well.
Committed to amplifying diverse voices, The New School offers more than a thousand public programs and events each year, providing fresh perspectives and unique learning opportunities. These lectures, exhibitions, concerts, and performances feature prominent and emerging artists, activists, and thought leaders.
To receive updates about public programs and events at The New School, subscribe to our mailing list. Visit our Livestream and YouTube channels to watch select events live and recorded.
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